The American civic poet… strives not only to speak to us with vigor and sympathy in our common language, but also to reveal how crucial that language is to our struggles and hopes as citizens. Pinsky is our finest living specimen of this sadly rare breed, and the poems of “Gulf Music” are among the best examples we have of poetry’s ability to illuminate not only who we are as humans, but who we are — and can be — as a nation.”
— The New York Times Book Review
“Viral Quiet“ by Robert Pinsky captures the coronavirus.
“On Thursday, April 23, a beautiful spring day when Boston University’s Charles River Campus would normally have been buzzing—with jam-packed sidewalks and bike lanes, overflowing buses and MBTA trolleys, and energized labs and classrooms—it was an alternate universe. The drone footage for this video, shot from 10:30 am to 7:30 pm that day from as high as 250 feet, captures an eerily quiet landscape, devoid of nearly any human interaction.
BU Today asked three-time US poet laureate (1997–2000) Robert Pinsky, a William Fairfield Warren Distinguished Professor and a College of Arts & Sciences professor of English, to put words to the video.”
Peter Balakian on Robert Pinsky’s “Samurai Song” in the The Poetry Society of America
In The Poetry Society of America’s reading series Reading in the Dark, Peter Balakian shares the poem he returns to in difficult times.
“The poem takes Keats’ notion of negative capability to a more complex place by exploring how absence yields presence and how the mind finds its way into a surprise of insight grounded in paradox and reversal: “When I had / No supper my eyes dined”; “When I had no eyes I listened. / When I had no ears I thought.” The poem balances the philosophical with the existential as it navigates the imagination’s capacity to see—to move from metaphor to insight. Pinsky summons the warrior spirit in ourselves that can engage difficult times with lyric language under pressure, and with the imagination, which is, to recall Kenneth Burke’s phrase, ‘equipment for living.'”
“Privacy” by Robert Pinsky
“The Privacy Project: Novelists, poets and artists imagine life in the age of surveillance.” Read Robert Pinsky’s new poem Privacy on the NYTimes.com.
A New Anthology edited by Robert Pinsky: The Mind Has Cliffs of Fall: Poems at the Extremes of Feeling
Robert Pinsky’s new anthology, The Mind Has Cliffs of Fall: Poems at the Extremes of Feeling (W. W. Norton & Company) explores poetry at its extremes ~ despair, grief, love and rage, manic laughter.
“The Mind Has Cliffs of Fall is a thrilling rollercoaster ride of an anthology. Just when you think you have mastered the pitch and roll of one emotional extreme, you find yourself careening around a bend into a different extreme. And Pinsky’s individual selections are at once deft and surprising: a Renaissance Old Master like Fulke Greville sits cheek-by-jowl with poets like Keetje Kuipers and Katie Willingham, born within hailing distance of the present. The collection is a perfect introduction to poetry’s enduring power to explore the utmost bounds of our experience.”
—Stephen Greenblatt, Pulitzer Prize winner and author of Tyrant
Thursday, March 25th at 7:00pm EST
Robert Pinsky, as part of the UANLeer will give a reading and talk on poetry in translation as it pertains to his poetry collection Ginza Samba.
This is an online event based in Mexico. More information here…
Bruce Springsteen and Robert Pinsky on “Samurai Song” and their New Jersey roots.